The process is the same that's used for all scones, and I do love making scones. Flour, baking soda, a little sugar, and salt were combined, and I used a mix of all-purpose flour and local whole wheat with cultured butter. I always work the butter in by hand so I can feel how much it is breaking down in size and how well it is being incorporated into the flour. Orange zest and currants were added next and mixed by hand into the flour mixture. A well was made in the flour, and egg and milk were added and mixed into the dough. Last, the dough was turned out onto a floured surface and kneaded just to bring any stray currants or crumbs together before forming a thick disk. The round of dough was placed on a lined baking sheet and scored into triangles almost all the way through the dough. The dough was brushed with an egg wash before baking until golden.
The scones were served with more of the cultured butter used to make them and some local grapefruit jelly. I’ve made a lot of scones over the years and have too many favorites to count, but these just became my newest favorite. The golden, crunchy tops give way to a lovely, yielding middle. I liked that the sweetness came mostly from the currants, and that made the butter and jelly especially good on top. Now, I’m off to make that muesli and mark more pages in the book.
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It came out of the oven puffed like a souffle, but it didn’t drop like one. It settled into a flat shape with just a little ridge around the outside. The instructions in the book mention turning the cake out of the pan and then inverting it back right side up, but I’m not sure why. I just removed the outer ring of the springform pan and let it sit on the base of the pan. Once it cooled to room temperature, I chilled it in the refrigerator in an airtight container. This was a sleek, grown up kind of cheesecake. It had no crust, no cream cheese, and it wasn’t as sweet as other cheesecakes I’ve made. The texture was lightened by the egg whites but still had some sense of density from the ricotta. It was mildly flavored with an orange accent, and would be perfect with espresso. Since I didn’t think to buy some espresso beans, I served it with a strawberry coulis. Dark chocolate sauce would be another option or maybe a melted marmalade. I think this particular cheesecake could be taken in all kinds of directions with sauces and toppings, and it was pretty delicious all by itself too.

For the topping, jasmine tea leaves were steeped in cream for eight to twelve hours. Medrich notes that the cream should be poured through a sieve to remove the tea after twelve hours even if you won’t be using it yet. I steeped the cream overnight, and removed the tea in the morning. When I tasted the cream at that point, there was a lovely, subtly floral, jasmine presence. However, by the time dessert was served, the jasmine was nowhere to be found. It was a nice addition to the cream, and in the future, I’ll time it so the jasmine tea is removed just before serving.
One other point to mention is the serving temperature. The tart should be removed from the refrigerator about 30 minutes prior to serving so the filling can slightly soften. I failed to give it quite enough time, and the chocolate was a little firmer than ideal. It may seem like I’m nitpicking on several tiny details, but for a dessert like this with so few ingredients, every part of the process matters. The chocolate has to be excellent, the texture has to be right, and all the flavors have to come together. Then, it becomes just what it was intended to be. The result was very good, but next time I’ll know how to make it even better.