I have a little problem. I'm addicted to cookbooks, food writing, recipe collecting, and cooking. I have a lot of recipes waiting for me to try them, and ideas from articles, tv, and restaurants often lead to new dishes. I started losing track of what I've done. So now I'm taking photos and writing about what I've prepared—unless it's terrible in which case I forget it ever happened.
I admit that I’m fickle when it comes to cookies. One of my favorite cookies in the world is a basic sugar cookie that my Mom taught me how to make when I was little, but I have trouble choosing a top five and sticking to it. I’ll forget about a favorite cookie after awhile, or a new cookie will come along and be my favorite thing for a few months until I discover something else. There were those Gingerbread White Chocolate Blondies that I fell pretty hard for, those Ganache-Stuffed Chocolate Chip Cookies that took me by surprise, the Lemon Wreath Cookies that I’ll be making every holiday season, and of course, the Homemade Thin Mint Cookies can’t be forgotten. And, there are probably twenty others that deserve a mention too. However, I can say with absolute certainty, this Irish Coffee Bar is currently, definitely one of my favorite cookies. They’re from the March issue of Living magazine. With a bar cookie, I usually prefer the middle pieces to the ones with crunchy edges, but as proof of just how good these were, I wanted to eat every bar from every region of the pan. The crunchy parts were great, the middles were great, the coffee flavor was aromatic and lovely, the sliced almonds on top added nice texture, and the whiskey glaze was sweet and ever so slightly boozy. They were also just as good after sitting for a couple of days as they were the day they were made.
This is one of those delightful cookie recipes that doesn’t require a mixer. The dry ingredients including flour, baking powder, and baking soda were sifted and set aside. In a mixing bowl, melted butter, brown sugar, ground espresso, and salt were combined. Eggs and vanilla were whisked into the mix, and the dry ingredients were stirred in next. The batter was poured into a parchment-lined nine-inch by thirteen-inch pan, and it was topped with sliced almonds. It baked for about half an hour, and the pan was left to cool. The glaze was made with melted butter, some whiskey, and confectioners’ sugar. You could drizzle the glaze from a spoon, or place it in a bag and pipe it on the cooled bars. I opted to spoon the glaze into a plastic bag, snip the corner, and make diagonal lines of glaze. When the glaze had set, the cookie bars were cut.
So, yes, I like a lot of cookies and sometimes get distracted and forget which ones I said were my favorites in the past, but these Irish Coffee Bars have captured my full attention. Now, I just need another excuse, or occasion, to bake these again soon.
I like making cocktails at home, but it usually involves a lot of tasting or tinkering for me to get them right. The Cocktail Primer takes out the guesswork and offers an interesting way to categorize drink types. I received a review copy of this book and was happy to expand my cocktail knowledge while trying a few drinks along the way. Eben Klemm, master mixologist and head bartender of B.R. Guest Restaurants, organized this book by grouping descendants from master drinks. He offers six master drink classes, which are defined by style and technique, and the cocktails that belong to each group. For instance, from the martini comes the vesper and negroni. These drinks are not sweet or acidic, and they have a high alcohol content. They each have a primary and a secondary spirit but no fruit or sweet liqueurs. There is also a wealth of cocktail history sprinkled throughout the book. I learned that martinis weren’t always such strong drinks. Originally, they contained a more equal ratio of gin or vodka to vermouth and bitters. As the quality of gin and vodka has improved over the years, there became less need to mask the taste of the liquor, and the modern martini is now much more alcoholic. And, should you shake or stir? Klemm explains that as well. You should shake to aerate and slightly dilute a drink and stir for a more elegant, still result.
I found myself drawn to the chapter about simple sours. These drinks all include one type of liquor, some form of citrus for acidity, and a small amount of sweetness for balance. The fizz was particularly interesting because of the egg white foam that results on top. A fizz should be shaken to aerate the egg white and blend it with the liquor of choice, fresh lemon juice, simple syrup, and bitters. These can be made with gin, whiskey, or rum, and they are finished with a splash of both club soda and red wine. First, I tried a gin fizz, and Kurt and I were both unsure about the flavor and texture combination. Next, I made the same drink with whiskey instead, and we both preferred that version by far. The fizz is shown in the photo at the bottom of this post. Since the gin didn’t work for us in the first cocktail, I tried it again in a true sour. This time, rather than using plain simple syrup, I took Klemm’s advice about trying flavored syrups and made one infused with rosemary. The gin, lemon juice, and rosemary syrup were shaken with ice, and the mixture was strained over fresh ice in a glass. A dash of bitters was added along with a splash of soda, and it was garnished with a maraschino cherry. The true sour is shown in the photo above. It was fresh-tasting, and the lemon and rosemary combined well with gin.
This book does a great job of simplifying the world of cocktails and helping you understand them from the inside out. Once you master the basics and learn about variations on some general themes, you can start getting creative. In the final chapter, there are a few examples of complex sours that make use of more ingredients than the other cocktails in the book. I’m looking forward to trying the paradiso with white peach-white pepper foam that’s made with limoncello. Then, I might be ready to invent a signature cocktail or two of my own.
takes out the guesswork and offers an interesting way to categorize drink types. I received a review copy of this book and was happy to expand my cocktail knowledge while trying a few drinks along the way. Eben Klemm, master mixologist and head bartender of B.R. Guest Restaurants, organized this book by grouping descendants from master drinks. He offers six master drink classes, which are defined by style and technique, and the cocktails that belong to each group. For instance, from the martini comes the vesper and negroni. These drinks are not sweet or acidic, and they have a high alcohol content. They each have a primary and a secondary spirit but no fruit or sweet liqueurs. There is also a wealth of cocktail history sprinkled throughout the book. I learned that martinis weren’t always such strong drinks. Originally, they contained a more equal ratio of gin or vodka to vermouth and bitters. As the quality of gin and vodka has improved over the years, there became less need to mask the taste of the liquor, and the modern martini is now much more alcoholic. And, should you shake or stir? Klemm explains that as well. You should shake to aerate and slightly dilute a drink and stir for a more elegant, still result.
