Almond, Olive, and Rosemary Crackers with Roasted Butternut Squash, Chile, and Tahini Dip

Do you believe that true beauty comes from within? That idea is taken very literally in a new cookbook that offers nutrient dense dishes that help balance gut health and thereby assist with keeping your complexion at its best. The Beauty Chef: Delicious Food for Radiant Skin, Gut Health and Wellbeing by Carla Oates, of which I received a review copy, is a guide to eating for a medicinal effect. Oates writes: “the food we eat provides the ecosystem that interacts with our immune system to maintain our health and skin and overall wellbeing.” Whether you choose to eat certain foods specifically for their positive effect on skin conditions or you just want to try these recipes packed with nutrition powerhouses, there are a lot of great options here. First, there’s a list of nutrients with an explanation of why each one is good for you along with the foods in which it’s found. Then, throughout the recipes, the head note information will have some reminders about those nutrients and which ones are in the dish. The chapters cover Breakfast, Lunch, Snacks, Dinner, Sides, Desserts, Baking, Drinks, and Basics. I became hooked quickly after seeing the variety grains and fresh vegetables used, the abundance of fermented pickles, and the use of less-refined sweeteners like honey and maple syrup. There’s an Autumn Spice Smoothie Bowl made with oats, banana, and almond butter and topped with poached pears that I can’t wait to have for breakfast. And, I marked almost every page in the Lunch chapter with dishes like Warm Cauliflower Couscous Salad with Roasted Roots, Hazelnuts, and Crispy Spiced Chickpeas; Raw Rainbow Salad with Soft-boiled Egg and Creamy Miso Dressing; Buckwheat Noodles with Miso-Roasted Pumpkin, Caramelized Onion, and Umeboshi Plum Salad; and Lunch Wraps with Poached Chicken and Celeriac and Roasted Almond Remoulade on homemade Millet and Linseed and Spinach Wraps. If that all sounds a little too virtuous, bear in mind there are also recipes for oven-fried chicken, bbq ribs, and creme brulee. But since I’ve been going meatless and dairyless a little more often lately, I decided to start with a snack of Almond, Olive, and Rosemary Crackers with Roasted Butternut Squash, Chile, and Tahini Dip.

In the book, the crackers have “Cheesy” in the title, but I don’t think that’s even necessary as a selling point. The cheesy flavor here comes from nutritional yeast. These are gluten-free crackers made with almond meal mixed with the yeast flakes, chopped Kalamata olives, fresh rosemary, and salt and pepper. An egg white and some coconut oil hold the dough together. The dough was rolled out between pieces of parchment paper. Then, it was scored and left on the bottom piece of parchment for baking. There’s a nice tip for baking the crackers: as the outside crackers become browned, they can be cut along the scored lines and removed. Then, the pan can go back into the oven to brown the rest of the crackers. The dip was a simple puree of roasted butternut squash, a roasted tomato, and roasted garlic and chile. Tahini and lemon juice were added to the food processor while pureeing.

The crackers have great, savory flavor with the olives and rosemary and the underlying umami from the yeast flakes. If they lose their crispness after sitting for a bit, they can be popped into a warm oven to bring back their crunchy state. The butternut squash dip paired well with them. And, sliced cucumbers made good vehicles for it as well. There are several more things I’m eager to try from this book and it will be a nice bonus if I happen to achieve a healthy glow in the process.

‘Cheesy’ almond, olive and rosemary crackers
Recipes reprinted with publisher's permission from The Beauty Chef: Delicious Food for Radiant Skin, Gut Health and Wellbeing.

MAKES 24

The combination of olive, rosemary and cheese is a delight. However, in this dish I have used yeast flakes instead of cheese, which are rich in B vitamins and a great substitute for the flavour of cheese.

1 cup (100 g / 3 1/2 oz) almond meal

1/3 cup (15 g / 1/2 oz) savoury yeast flakes (available from health food stores)

1/4 cup (45 g / 1 1/2 oz) chopped pitted Kalamata olives

1 tablespoon finely chopped rosemary leaves

1/2 teaspoon Himalayan salt, plus extra for sprinkling

1/4 teaspoon freshly ground black pepper

1 large egg white

1 tablespoon coconut oil, melted

Preheat the oven to 150ºC (300ºF). Combine the almond meal, savoury yeast flakes, olives, rosemary, salt and pepper in a medium bowl. Add the egg white and oil and mix well to combine.

Roll the almond mixture out between two pieces of baking paper, to make a 24 cm (9 1/2 in) square, approximately 2 mm (1⁄16 in) thick. Discard the top sheet of paper. Using a large knife, score the almond mixture to make 24 crackers. Press the ends of a fork into the centre of each cracker to mark. Transfer the crackers on the sheet of baking paper onto a large baking tray (cookie sheet). Sprinkle with additional salt. Bake for 10–15 minutes, until light golden.

Remove from the oven and cut through the scored marks. Separate into individual crackers. Remove the outer crackers that are crisp and golden and set onto a rack to cool. Cook the remaining crackers for a further 5 minutes, or until golden but not browned. Transfer onto the rack and leave to cool completely. Serve with dips, spreads, or as part of a meal.

Roasted pumpkin, chilli and tahini dip

MAKES 1 1/2 CUPS (SERVES 4)

A flavour-packed dip, starring pumpkin (winter squash), which is a great source of skin-rejuvenating vitamin A. And did you know that when you consume foods high in vitamin E – such as tahini (made from sesame seeds) – around seven days later vitamin E is secreted through your sebum to provide a protective layer?

350 g (12 1/2 oz) peeled pumpkin (winter squash), cut into 5 cm (2 in) chunks

1 medium tomato, halved

2 tablespoons extra-virgin olive oil, plus extra for drizzling

4 cloves garlic, in their skins

2 long red chiles

2 tablespoons tahini

juice of 1/2 lemon

1 1/2 teaspoons ground cumin

Himalayan salt, to taste

Preheat the oven to 200ºC (400ºF).

Place the pumpkin and tomato on a baking tray (baking sheet). Drizzle with olive oil and roast for 30 minutes.

Turn the pumpkin, add the garlic and chile and roast for a further 15 minutes, or until the garlic and chile are soft and the pumpkin is tender and caramelised. Set aside to cool slightly.

Squeeze the garlic out of its skin. Peel the tomato and chillies. Scrape the seeds out of the chiles and discard.

Place the pumpkin, tomato, 2 tablespoons extra-virgin olive oil, garlic and chile in a high-speed food processor. Add the remaining ingredients and blend until smooth. Season with salt. Serve with crudites, crackers or as part of a meal.

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Schiacciata all’Uva

It’s no secret that I love Italian food. And, I love learning more about the food from each and every region of the country. I was delighted to read a review copy of Florentine: The true cuisine of Florence by Emiko Davies. Of course the subject matter made me happy but so did the pretty color marbling with bright orange on the book cover and the full-page photos inside of both life and food in Florence. The recipes are grouped by where you would find these types of food in the city. The Pastry Shop, The Bakery, and The Trattoria are some of the chapter names. Right away, I wanted to bake Sfogliatine or Budini di Riso or Bomboloncini to go with a morning cappuccino. There are stories along the way about how different foods became traditional like the Pane Toscano, the bread made without salt because it was too expensive. I enjoyed reading about Pappa al Pomodoro and how it originally would have been a porridge-like soup made with bread and no tomatoes prior to tomatoes being introduced from the New World. Naturally, there are pasta dishes, and one I want to try this fall is a pear, pecorino, and ricotta-filled ravioli. There are also several versions of crostini toppings and panini fillings as well as chicken and meat dishes, and every dish is simply prepared with proven, time-honored flavor combinations. The Schiacciata all’Uva is a grape focaccia made with wine grapes harvested in September and October. This slightly sweet rendition of the chewy flatbread appears just briefly in bakeries in the fall, and it’s typically made with concord grapes or more traditionally with canaiolo grapes. Sadly, I didn’t have access to either of those varieties and used black grapes instead. Usually, seeds are left in the grapes and give the bread some crunch, but the grapes I bought were seedless. It is noted that standard, red grapes aren’t deeply-flavored enough to be a good substitution here. You want a dark grape that will stain the dough. 

I began the recipe the night before I intended to bake. Flour, yeast, and water were combined and mixed. Olive oil was added, and the sticky dough was left in a covered bowl in the refrigerator to slowly rise overnight. I let the dough come back to room temperature for an hour or so while washing the grapes, removing them from the stems, and drying them. I borrowed a couple of tips from the Wild Yeast blog. Rather than adding anise seeds to the bread, I opted for fresh rosemary as seen there. Also, the recipe in the book suggests spreading about half the dough on a baking sheet, adding some of the grapes, then topping it with the remaining dough and the rest of the grapes. Given how sticky and difficult to maneuver this dough is, I went with the technique from Wild Yeast instead. I folded some of the grapes into the dough while it was still in the bowl. Then, I spread the dough onto the baking sheet and topped it with the remaining grapes. I dimpled and flattened the dough without crushing the grapes, drizzled on top olive oil, sprinkled on chopped rosemary, and I added just a little turbinado sugar and flaky sea salt. The flatbread baked for about 30 minutes until golden. 

The grapes added plenty of juicy sweetness with very little additional sugar, and I liked the hints of savoriness from rosemary and sea salt. As I cut the bread into pieces, they quickly disappeared. There was an addictiveness to the chewy texture and pop of the grapes. Now, I want to try making the same dough into small rounds topped with vegetables as it’s also shown in the book. And, I want to go to Florence and eat all of these things right where they were invented.

Schiacciata all ’Uva 
Recipe taken from Florentine: The true cuisine of Florence by Emiko Davies, published by Hardie Grant Books, ISBN 9781743790038, $39.95 hardcover. 

500 g (1 lb 2 oz) plain (all-purpose) flour, plus extra for dusting 
20 g (3/4 oz) fresh yeast, or 7 g (1/4 oz/2 1/2 level teaspoons) active dry yeast 
400 ml (13 1/2 fl oz) lukewarm water 
75 ml (2 1/2 fl oz) extra-virgin olive oil, plus extra for greasing 
600 g (1 lb 5 oz) concord grapes (or other black grape; see note) 
80 g (2 3/4 oz) caster (superfine) sugar 
1 teaspoon aniseed (optional; see note on following page) 
icing (confectioners’) sugar (optional) 

NOTE Avoid using red or white seedless table grapes or white grapes for this – they just don’t do it justice in terms of flavour or appearance. If you can’t get concord grapes or wine grapes, or it’s the wrong season, try replacing them with blueberries. It’s completely unorthodox, of course, but it’s a very good substitute, giving you a much closer result than using regular table grapes. 

Born in and around the wine-growing areas of Florence and the Chianti, this delicious bread is a tradition governed by the very seasonal nature of grapes in Italy, and one that also has an extremely close tie with the wine harvest in autumn. For one or two fleeting months of the year from September to October, the appearance of schiacciata all’uva in Florence’s bakery shop windows is a sign that summer is over and the days will begin to get noticeably shorter. This sticky, sweet focaccia-like bread, full of bright, bursting grapes, is a hint that winemakers are working hard at that moment harvesting their grapes and pressing them. And then, as suddenly as it appeared, the grape focaccia is gone, not to be seen again until the following September. These days, it is usually made with fragrant, berry-like concord grapes (uva fragola) but sometimes you’ll still find it made with native Tuscan wine grapes known as canaiolo – the small, dark grapes make up part of the blend of Chianti wine, playing a supporting role to sangiovese. These grapes stain the bread purple and lend it its juicy texture and sweet but slightly tart flavour. They are also what give the bread a bit of crunch, as traditionally the seeds are left in and eaten along with the bread. 

PREPARING THE DOUGH This can be done the night before you need to bake it, or a couple of hours ahead of time. Sift the flour into a large bowl and create a well in the centre. Dissolve the yeast in about 125 ml (4 1/2 fl oz/1/2 cup) of the lukewarm water. Add the yeast mixture to the centre of the flour and mix with your hand or a wooden spoon. Add the rest of the water little by little, working the dough well after each addition to allow the flour to absorb all the water. Add 1 tablespoon of the extra-virgin olive oil to the dough and combine. 

This is quite a wet, sticky dough. Rather than knead, you may need to work it with a wooden spoon or with well-oiled hands for a few minutes until it is smooth. Cover the bowl of dough well with some plastic wrap and set it in a warm place away from draughts until it doubles in size, about 1 hour. If doing this the night before, leave the dough in the bowl to rise in the fridge overnight. 

ASSEMBLING THE SCHIACCIATA Separate the grapes from the stem, then rinse and pat dry. There’s no need to deseed them if making this the traditional way (see note). Preheat the oven to 190°C (375°). 

Grease a 20 cm × 30 cm (8 in × 12 in) baking tin or a round pizza tray with olive oil. With well-oiled hands, divide the dough into two halves, one slightly larger than the other. Place the larger half onto the greased pan and with your fingers, spread the dough out evenly to cover the pan or so that it is no more than 1.5 cm (1/2 in) thick. 

Place about two-thirds of the grapes onto the first dough layer and sprinkle over half of the sugar, followed by about 30 ml (1 fl oz) of olive oil and ½ teaspoon of the aniseed, if using. Stretch out the rest of the dough to roughly the size of the pan and cover the grapes with this second layer of dough, stretching to cover the bottom surface. Roll up the edges of the bottom layer of dough from underneath to the top, to seal the edges of the schiacciata. 

Gently push down on the surface of the dough to create little dimples all over. Cover the top with the rest of the grapes and evenly sprinkle over the remaining aniseed, sugar and olive oil. 

Bake for about 30 minutes or until the dough becomes golden and crunchy on top and the grapes are oozing and cooked. Remove from the heat and allow to cool completely. 

Cut into squares and enjoy eaten with your hands. If you like, dust with icing (confectioners’) sugar just before serving – although this isn’t exactly traditional, it is rather nice. This is best served and eaten the day of baking, or at the most the next day. 

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Cornmeal with Rosemary and Parmigiano Biscotti

There’s a lot to love about biscotti. You can go a very traditional route with them or veer off into all sorts of creative directions. For Christmas this past year, I got creative by baking big, mocha latte biscotti with chocolate chips in them that got drizzled with a white chocolate-espresso glaze. I’ve also made a peanut butter version and some that were fully dipped in chocolate. But, I’m also a big fan of the more proper, Italian almond cantucci that are subtly sweet, nutty, and all about the crunch. When visiting our friends who had just returned from a trip to Florence, they served us almond cantucci with Vin Santo for an after dinner treat. That combination proves that sometimes simple is most definitely better. And, the wonderful thing about Ciao Biscotti, the new book from Domenica Marchetti, is that it covers the full spectrum of biscotti making. I received a review copy of the book. The recipes begin with more traditional, nutty versions and one that even has Vin Santo in the dough. And, then there is a series of chocolate options including one that it is half lemon and half chocolate. There are dried fruit-filled flavors and suggestions for glazing and topping the cookies. Among the Fantasy Flavors, there’s even a Green Tea with White Chocolate Glaze. Next, you’ll find the chapter for The Savory Side. I’ve baked a lot of different kinds of biscotti, but I had never tried a savory one. I couldn’t wait. Mountain Gorgonzola with Walnuts, Pepper Jack and Green Peppercorn, and Sun-Dried Tomato and Fennel all sounded delicious, but I stopped everything to bake the Cornmeal with Rosemary and Parmigiano. The first few times I ever made biscotti, I had anxiety about cutting the slender cookies and how long to bake them for the second bake. I now realize that the issue was that I was following recipes that weren’t well-conceived. The instructions in this book are clear; there are clues for what to look for at each stage; and the baking times are specific for the type of biscotti being made. 

For these crunchy, savory cookies, you begin by combining flour, cornmeal, baking powder, and salt in the bowl of a mixer. I used a local, heirloom variety of cornmeal from Richardson Farms. The dry ingredients were mixed briefly to combine. Next, grated Parmigiano-Reggiano, sliced toasted almonds, and chopped rosemary were added and mixed. Small chunks of butter, beaten eggs, and milk were added last, and the dough was turned out onto a board. It was divided into two pieces that were each formed into a long loaf shape. The goal is to end up with small biscotti, so the dough loaves were stretched long and kept narrow. The dough was brushed with egg before it was baked at 350 degrees F for about 25 minutes. After the first bake, the loaves were left to cool for about 20 minutes before being cut into pieces. For this recipe, the cookies were cut to a thickness of about one-third inch. For the second bake, you can place the cookies cut-side-down and bake for 20 minutes, turn them over, and bake for another 20 minutes. Or, another tip I learned from Alice Medrich is to stand the biscotti on edge so both cut sides are exposed to the heat of the oven, and bake for the full 35 – 40 minutes rotating the baking sheet at the halfway point. If you want to check the crunchiness of the biscotti to decide if they should bake longer, you’ll need to remove one and let it cool before tasting. They get crunchier as they cool. 

The parmesan and rosemary smelled fantastic as the biscotti baked. I imagined several ways to use them like for dipping into a bowl of minestrone or topping a salad with them. But, the suggestion in the book for serving them with Chianti Classico was a perfect pre-dinner nibble with wine. I’m delighted to see the world of biscotti get a little bigger with the addition of a savory side. 

Cornmeal with Rosemary and Parmigiano 
Recipe reprinted with publisher’s permission from Ciao Biscotti. 

1 Tbsp vegetable oil 
1 1⁄2 cups/185 g unbleached all-purpose flour 
1⁄2 cup/70 g fine cornmeal 
1 tsp baking powder 
1⁄4 tsp fine sea salt 
1 cup/80 g grated Parmigiano-Reggiano cheese 
1 cup/100 g sliced almonds, toasted 
1 Tbsp finely minced fresh rosemary
6 Tbsp/85 g unsalted butter, cut into 1⁄2-in/12-mm pieces, at cool room temperature 
2 large eggs, lightly beaten 
2 to 4 Tbsp half-and-half or milk 

Makes about 50 biscotti 

Fine-ground cornmeal adds a delicate crunch and pretty golden hue to these rosemary-infused biscotti. Slice these thinly and serve them with a nice runny cheese.  

Heat the oven to 350°F/180°C. Lightly coat an 11-by-17-in/28-by-43-cm rimmed baking sheet with the oil. Combine the flour, cornmeal, baking powder, and salt in the bowl of a stand mixer fitted with the paddle attachment. Mix briefly on low speed. Add the cheese, almonds, and rosemary and mix to combine. Add the butter in pieces and mix on medium-low speed until the mixture looks like damp sand. Set aside 1 Tbsp of the beaten eggs. Combine the remaining eggs with 2 Tbsp half-and-half and pour into the mixing bowl. Mix on medium speed until a soft, slightly sticky dough has formed. Add the remaining half-and-half if necessary to make the dough come together. 

Turn the dough out onto a lightly floured work surface and pat it into a disk. Divide it in half. Lightly moisten your hands with water and gently roll one portion of dough into a rough oval. Place it lengthwise on one half of the baking sheet and use your hands and fingers to stretch and pat the dough into a log about 2 1/2 in/6 cm wide and 12 in/30 cm long. Shape the second piece of dough in the same way, moistening your hands as necessary. Press down on the logs to flatten them out a bit and make the tops even. Brush the reserved egg over the tops of the logs. 

Bake the logs for 25 to 30 minutes, or until they are lightly browned and just set—they should be springy to the touch and there should be cracks on the surface.
Transfer the baking sheet to a cooling rack. Gently slide an offset spatula under each log to loosen it from the baking sheet. Let the logs cool for 5 minutes, and then transfer them to the rack and let cool for 20 minutes. Lower the oven temperature to 300°F/150°C. 

Transfer the cooled logs to a cutting board and, using a Santoku knife or a serrated bread knife, cut them on the diagonal into 1/3-in-/8-mm-thick slices. Arrange the slices, cut-side up, on the baking sheet (in batches if necessary) and bake for 20 minutes. Turn the slices over and bake for another 15 to 20 minutes, until they are crisp and golden. Transfer the slices to the rack to cool completely. The biscotti will keep for up to 10 days in an airtight container stored at room temperature. 

What to drink: Chianti Classico. 

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Meyer Lemon-Rosemary Campagne Boule

Since moving into our temporary home and using our temporary-too-small kitchen, I think I’ve spent more time reading about bread than baking bread. First, I read a review copy I received of In Search of the Perfect Loaf by Samuel Fromartz. This is a memoir of a bread baking journey. Fromartz set out to learn from other bakers in order to perfect his home bread baking, and in the process learned about different types of wheat used for flour in addition to learning new baking and dough making techniques. Time and again lately, I’ve been reading about the use of locally grown types of wheat that are fresher and more flavorful than the packaged stuff from the grocery store. Different flours present challenges and require adjustments to mixing and hydration percentages in recipes, but it’s so worth the effort to try what’s available and support the small-scale crop diversity. Fromartz visited bakers in Paris, Berlin, Cucugnan in the South of France, San Francisco, and Petaluma. Della Fattoria is located in Petaluma, California, and I first learned of this bakery from reading about it here. That led me to the next book I read recently about bread. 

I received a review copy of Della Fattoria Bread by Kathleen Weber who became a professional baker somewhat by accident. She began baking bread at home and developed a passion for it, eventually providing loaves for The Sonoma Mission Inn. Her second client was Thomas Keller of The French Laundry. Her bakery has grown substantially since then, but the artisanal process of bread making hasn’t changed. The book takes you by the hand and walks you through all the different types of bread Weber has baked at home and for the bakery over the years. The first chapters present Yeasted Breads and Enriched Bread before you get to the Pre-Fermented Breads and Naturally Leavened Breads. Last, there are Crackers, Breadsticks, Pizza Doughs, and Flatbreads. I want to make the Hot Dog Rolls because I’ve never made my own before, and the Sticky Buns look impossible to resist. I always mention that no matter how many books I read about baking bread, I always learn something new from each book. This time, I learned the technique of stuffing the dough with ingredients while shaping. There’s a Garlic Jack Campagne Boule made by spreading a garlic puree on the dough, topping that with grated Jack cheese, and then folding the dough up and around the fillings to shape the boule for proofing. Last, a hole is poked in the top of the boule and a small head of garlic is inserted into the loaf where it roasts as the loaf bakes. There’s a similar loaf made with a small bunch of grapes nestled in the top and grape leaves pressed on the surface. The loaves are beautiful and delicious-looking. I decided to attempt a loaf with a filling, and I chose the Meyer Lemon-Rosemary Campagne Boule. 

Delightfully, I had some Meyer lemons from my tree and some rosemary from our permanent home to use for this. I pop over to our property (permanent home) where our new house is being built to snip herbs when I need them. The bread was made with sourdough starter, so I needed to revive mine to get it ready to use. In the book, it’s suggested that starter be fed with a mix of all-purpose flour and whole wheat flour. I used locally grown, whole grain-whole wheat flour from Richardson Farms. The dough was made with water, starter, and all-purpose flour. Weber makes a point of mentioning that water is a large percentage of all bread dough, and the water you use should be considered. If your tap water smells or tastes off, it could affect the bread. I used filtered water. After the resting or autolyse phase, salt was added to the dough, and it was left to ferment. This was a very wet dough, and I have my troubles with wet bread doughs. It was folded and turned every 30 minutes for the first hour and a half, and then it was left to rest for another two to three hours before being pre-shaped. Since it is a wet dough, the folding and turning isn’t as simple as it could be, but I did my best. Lemon zest was mixed with chopped rosemary and olive oil. The dough was pressed into a round and dimpled with a well in the center, and the lemon-rosemary mixture was poured into the well. The dough was then carefully gathered up and around the oil mixture, the seam was pressed to seal in the oil, and the dough was turned over and formed into a boule. You can see the oil mixture spread just under the surface of the boule. The boule went into a proofing basket for two to three hours before baking. Just after slashing the top, coarse sea salt was sprinkled on top. La Baleine coarse salt was recommended, and I actually had some on hand. The book includes instructions for baking on a stone or baking in a lidded cast iron pot. I wanted to bake on a stone but probably should have known better. Of course, the dough spread a bit more than I would have liked, and a cast iron pot would have given it more support. Regardless of how it was baked, the aroma of the lemon and rosemary from the oven was fantastic. 

Adding the filling of lemon, rosemary, and olive oil was a new twist in bread making for me, and when I make sourdough breads, I usually use bread flour and a mix of other whole grain flours. Using only all-purpose flour resulted in an exceptionally tender and chewy crumb. And, the crust was crispy in the best way as a result of the oil. Even though the loaf flattened out more than I would have liked, the flavor of this bread more than made up for that small disappointment. This book has made me want to spend more time baking bread. 

Meyer Lemon–Rosemary Campagne Boule 
Excerpted with publisher’s permission from Della Fattoria Bread by Kathleen Weber (Artisan Books). Copyright © 2014. Photographs by Ed Anderson. 

Makes 1 large boule 

This has become our signature bread. Lemon zest and finely chopped rosemary are mixed with olive oil to make a pesto-like slurry that appears as a bright and delicious swirl along the underside of the crust. But what really sets the bread apart is its raised crown design, studded with large salt crystals. Ed, my husband, tells everyone to eat this bread toasted with soft-boiled eggs. I love cutting thick slices of the bread and grilling them over low coals, or pulling it apart and eating it just as it is. 

1 1/2 tablespoons (8 grams/0.3 ounce) grated lemon zest, preferably from Meyer lemons 
1 1/2 tablespoons (6 grams/0.2 ounce) chopped rosemary 
About 3 tablespoons (40 grams/1.5 ounces) olive oil 
Pain de Campagne Boule, taken through the pre-shape 
1 to 1 1/2 teaspoons (4 to 6 grams/1.4 to 2 ounces) coarse sea salt (see Note) 

1. Combine the lemon zest and rosemary in a small bowl. Add enough olive oil to create a pesto-like slurry. 
2. After the 10-minute rest, turn the dough over (flour side against the work surface) and gently press into a 9- to 10-inch round. Dimple the top, make a well, and add the rosemary mixture to the well. Fold the sides in, as when forming a boule, enclosing the mixture, then tighten the boule against the work surface until you just begin to see the rosemary mixture under the surface of the dough. 
3. Generously dust a 9-inch bread basket or linen-lined bowl with flour or a mixture of flour and wheat bran. Follow the remaining steps for proofing and baking the bread, and when ready to score, score it with a 4-scored asterisk. It will be because of the slurry underneath that the points raise into a crown as it bakes. Sprinkle the sea salt over the top. 

Note on coarse sea salt 
I prefer La Baleine coarse sea salt (in the red canister). The crystals are clear and shiny like diamonds, and they won’t melt. 

Pain de Campagne Dough 

Makes 1.35 kilograms/3 pounds 

A request from Thomas Keller right after he reopened The French Laundry in 1995 got me into making pain de campagne. So I asked Thomas lots of questions. (How do you envision serving this bread? Do you like lots of crust? What shape would look best on your bread and butter plate?) In the end, I created the bread he was looking for. For Thomas, I shaped the dough into batards. Here we make both a batard and a boule.  

Firm Starter 126 g -  4.4 oz - 1/2 cup 
Water at 80°F/27°C 506 g -  17.8 oz - 2 cups plus 2 1/2 Tbsp 
All-purpose flour 704 g - 24.8 oz - 5 cups 
TOTAL FLOUR 704 g - 24.8 oz -  5 cups 
Fine gray salt 19 g -  0.6 oz - 1 Tbsp 
TOTAL WEIGHT 1,355 g/1.35 kg - 47.6 oz/3 lbs 

1. Lightly oil or spray a deep 4 1/2- to 5-quart ceramic or glass bread bowl. 

2. Put the starter in the bowl of a stand mixer fitted with the paddle attachment. Add the water and mix on low speed until the starter is broken up and the mixture appears frothy, about 30 seconds. Add the flour and pulse a few times on the lowest setting (to keep the flour from flying out of the bowl), then mix on low speed for 2 minutes to combine. Remove the paddle attachment, scraping any dough from the paddle back into the bowl with a plastic bowl scraper, and let sit, uncovered, for 20 minutes. 

3. Scrape down the sides of the bowl with the bowl scraper and add the salt. Fit the mixer with the dough hook and mix on low speed for 6 minutes. This is a slightly sticky dough. Using the bowl scraper, turn the dough into the bread bowl. Cover tightly with a lightly oiled or sprayed piece of plastic wrap and let sit for 30 minutes. 

4. For the first fold, wet your hands, then loosen the dough from the sides and bottom of the bowl and fold it underneath itself from left to right and then top to bottom. Cover and let sit for 30 minutes. 

5. For the second fold, repeat as for the first fold. Cover and let sit for 30 minutes. 

6. For the third and final fold, repeat the folding as before. Cover and let proof in a warm, draft-free spot until there is bubbling on the surface of the dough, 2 to 3 hours. 

7. The dough is ready to be pre-shaped and shaped for Meyer Lemon–Rosemary Campagne Boule. 

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Shitake Mushrooms with Sourdough Toast and Rosemary Blue Cheese Creme Fraiche

You know a restaurant takes sustainable sourcing seriously when its recipes are named for particular vegetable varieties grown in their own garden. That was one of things I loved about The Ethicurean Cookbook of which I received a review copy. The Ethicurean restaurant and kitchen are located in two glasshouses of the Barley Wood Walled Garden on an estate just outside Bristol in England. The restaurant is run by a group of four friends who joined together on this mission in 2010 to highlight seasonality and sustainable sourcing. Vegetables and fruits come from the Walled Garden and orchards including 70 varieties of apples, and other ingredients are carefully sourced or foraged nearby. I was confused about the recipe for Sea Robin with Fennel Butter Sauce and Herbed Pink Firs until I read through it and learned that sea robin is another name for gurnard which is a thin, mild, white fish. And, pink fir is a type of waxy potato grown in the restaurant’s garden. Of course, in the spirit of The Ethicurean, it would make perfect sense to substitute ingredients that are local and seasonal to the reader. The book is divided by season, and it’s full of stories about what’s growing at different times of the year. There are also lots of side notes about the history of some ingredients and explanations of food science. In the recipe for Caerphilly and Cider Welsh Rabbit, the authors explain that since Caerphilly is a mature cheddar with a good level of acidity and high moisture content, the casein molecules in the cheese will separate preventing it from becoming stringy when it melts. The photo of the lovely, broiled and cheese-filled sandwich next to a fresh, crisp salad looks delicious. Some other dishes that caught my eye were the Ewe’s-Curd-Stuffed Courgette Flowers with Fennel Sherbet; the Crab Salad with New Potatoes, Pickled Carrot and Smoked Paprika Mayonnaise; the homemade Vermouth; the Globe Artichokes with Hollandaise Sauce and Sumac; and the Chocolate and Salt Caramel Brownies with Cherry and Elderflower Sauce. 

Kurt and I share a fondness for blue cheese, so my first stop in the book was at the recipe titled Wild Mushrooms with Sourdough Toast and Thyme Stichelton Creme Fraiche. I made a few changes to keep the sourcing at least a little closer to home. We have fresh, locally-cultivated mushrooms that are available year-round, so I used local shitakes. I usually have thyme in my herb garden, but it died back during one of our freezes this winter. I substituted rosemary for it since I always have rosemary growing in multiple spots in our yard. And, last, rather than using Stichelton which is a British-made, raw milk, blue cheese, I used Jasper Hill Farms’ Bayley Hazen Blue which is also a raw milk blue. On little pieces of sourdough baguette, these mushroom toasts are a great appetizer. The mushrooms were sliced and then sauteed in some oil with chopped rosemary (or thyme). They were left to brown a bit before being stirred and turned. When fully cooked, butter was added to the mushrooms with a sprinkling of sea salt. The topping is an easy mix of creme fraiche,  blue cheese, and some rosemary in my case that was combined in the blender. The sauteed mushrooms were spooned onto pieces of toasted bread and topped with the blue cheese creme fraiche. My rosemary still had some flowers clinging to the sprigs which I used as garnish. 

I might have made some extra blue cheese creme fraiche and learned that it also makes a fabulous dipping sauce for roasted potato wedges. But, it was perfect with the mushroom toasts. They were crunchy and savory and a nice start to a meal on one of our chilly days. I’ll be looking back to this book for inspiration as the seasons change and different ingredients are at their best. 

Wild Mushroom with Sourdough Toast and Thyme Stichelton Creme Fraiche 
Recipe reprinted with publisher's permission from The Ethicurean Cookbook (Ebury Press).

Serves 4 

2 tbsp rapeseed oil 
300g mixed wild mushrooms, such as slippery jack, penny bun, russula, horse mushroom, sheep’s foot and puffballs, cleaned and sliced into 1cm strips 
leaves from 4 sprigs of thyme 
25g unsalted butter 
8 very thin slices of sourdough bread 
fine sea salt flaky sea salt 

For the thyme Stichelton creme fraiche: 
25g Stichelton cheese, roughly chopped 
75ml creme fraiche 
leaves from 5 sprigs of thyme 

For the thyme Stichelton creme fraiche, put all the ingredients in a blender or food processor and pulse to a semi- coarse consistency. Season with salt to taste and set aside. 

Place a large frying pan over a high heat and leave until it is very hot. Add the rapeseed oil; it should begin to smoke. Immediately add the mushrooms and thyme leaves, plus a dusting of fine salt, and toss to coat them evenly with the oil. Leave undisturbed for a minute or so, until the mushrooms colour ever so slightly, then toss and colour on the other side. Remove from the heat and add the butter to the pan. Toss until it has melted and the mushrooms are evenly coated, then check the seasoning. 

While the mushrooms are cooking, put the sourdough bread under a hot grill and toast, turning every minute, until both sides are golden brown. Thin slices of bread will curl under the grill, and the regular turning prevents this happening. Remove the sourdough from the grill and add a couple of slices to each plate. Cover with the mushrooms, season with flaky sea salt and add a heaped tablespoon of the Stichelton creme fraiche.

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Cayenne Cantaloupe Sorbet with Honey-Cornmeal Cones

I somehow got it into my head that I should try making ice cream cones. It wasn’t just the idea of making a frozen dessert and scooping it onto a cone that was fascinating me. It was actually making the cones themselves that I had to do. I wasn’t so concerned with the waffle texture and using a proper pizelle maker, but I did want to form cone shapes not just drape tuille circles over little bowls for crunchy cups. I ordered a cone roller, and was ready to experiment. There are recipes for ice cream cones in The Perfect Scoop, and I opted for the Honey-Cornmeal variation with added chopped rosemary. I’d already decided on the Cayenne Cantaloupe Sorbet from the Humphry Slocombe Ice Cream Book, and honey and cornmeal in a cone seemed like a good match for it. Now, I enjoy a good kitchen challenge as much as the next obsessed home cook, but I will say that making the cones was one of the trickier things I’ve attempted lately. David Lebovitz offers some great tips for baking the batter in the oven and rolling the cones, but there are a lot of variables at play here. I drew six-inch circles on the back of parchment paper which lined the baking sheets. Then, I was able to spread the batter thinly, as instructed, to fill the circles. A baking time of ten to fifteen minutes was suggested, but that produced edges that were far too crispy to roll. You need to catch the baked batter at just the right moment when it’s set and cooked through but still pliable enough to roll into a cone. Oh, and you have to do this while it’s hot, which burns your fingers a bit. After one or two ugly results from trial and error, I pulled on some plastic gloves and got determined about this. Finally, a few cones seemed worth keeping, and the dessert plan was able to happen. 

There are a couple of other sorbets in the Humphry Slocombe book I also want to try which involve Hibiscus Beet and Thai Chile Lime, but I had a cantaloupe on hand so this one came about first. It’s a simple puree of a whole chopped cantaloupe, sugar, a pinch of salt, a couple of tablespoons of rice vinegar, a couple of tablespoons of vodka, some lime juice, and some cayenne. I usually always say that I add more of any hot chile ingredient in a recipe, but here, the one-half teaspoon called for was actually more than enough. I’d use a little less next time. All of the ingredients were pureed in a blender and then poured through a sieve before being chilled and then churned in an ice cream maker. While it spent some time in the freezer to firm, I set about the project that was making ice cream cones. The batter was made with an egg, an egg white, honey, melted butter, sugar, flour, cornmeal, and a little chopped rosemary. Two tablespoons of batter was used for each cone, and it was spread into a six-inch circle on a parchment-lined baking sheet. The batter baked for about six to eight minutes until set and golden at the edges. Once removed from the oven, the baked circles were flipped over with a metal spatula and immediately rolled into a cone on a wood form. The edges should be golden but not so crispy that they break when rolled on the form. Plan to test the first two to gauge the needed baking time. Also, wearing plastic gloves helps with touching the hot cones while rolling. When slightly cooled and firm, the cone was removed from the form, and then next cone was shaped. Since there is a small hole in the bottom of each cone, I melted chocolate for dipping. When the chocolate set on the tips of the cones, the holes were sealed. 

I don’t think I’d want to make homemade cones for a large party, but they were a fun treat for just a few desserts. And, the chile-spiked, fruity sorbet was a great flavor for the cornmeal cones with a hint of rosemary. If you’re going to burn your fingers for a kitchen project, it should be one with a result at least as delightful and tasty as this one. 

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Almond Rosemary Cake with Lemon and Creme Fraiche Glaze

“Rustic” is such a handy word when it comes to describing food. My homemade sourdough baguettes are always “rustic” which means I’m sloppy about shaping the loaves, and when my pastry doesn’t turn out as perfectly as it could, all is well if the word “rustic” is added to its title. However, there are times when “rustic” isn’t a euphemism for messy. Sometimes, a thing is “rustic” because it’s simple, charming, or well-textured. This almond cake is that kind of rustic. When I saw it in the June issue of Food and Wine, it went directly into my to-try stack of recipes. I have a not-so-successful history with almond cakes, so I headed into this recipe with a little concern. In the past, almond cakes I’ve made have been dense, dry, and dull. Thankfully, there were a few tricks to making this cake that prevented all of that. The cake batter is made with polenta and minced rosemary which added interest in both the flavor and texture departments. Also, the eggs were whipped with sugar to a fluffy state, and folding the mixture into the dry ingredients lightened the batter. One last trick was the use of a sugar and lemon syrup that was poured over the warm cake and prevented it from becoming dry.

Let me run through the details and the minor changes I made the original recipe. Skin-on, raw almonds were toasted, chopped, and ground in a food processor. I added some of the sugar to the almonds in the food processor to prevent them from forming a paste. The dry ingredients were combined, and I always sieve dry ingredients. I used whole wheat pastry flour instead of all-purpose, and polenta, baking powder, and salt were also included. After sieving those, I added the ground almonds, minced rosemary, and lemon zest. In a stand mixer, the eggs were mixed with the remaining sugar using the whisk attachment for about ten minutes until tripled in volume. Then, creme fraiche and cooled, melted butter were added. The egg mixture was folded into the dry ingredients in three additions. For baking, an eleven-inch springform pan is suggested, but I used a ten-inch pan. The cake baked for 25 minutes while the syrup was made. Sugar, water, and lemon juice were boiled and reduced for five minutes, and then I added a sprig of rosemary to steep in the syrup as it cooled. When the hot cake was removed from the oven, the syrup, minus the rosemary sprig, was poured over the top, and it was left to cool completely. Once cool, it was glazed with a mix of confectioners’ sugar, creme fraiche, and lemon juice and topped with pieces of rosemary.

I finally got over my losing streak with almond cakes. This is in no way light and fluffy like a chiffon, but it definitely wasn’t as dense as other almond cakes I’ve attempted. The sugar syrup worked like a charm in warding off a dry texture too. Next time, I might add a bit more minced rosemary to the batter since its flavor was very subtle, and those extra flecks of green will just make the cake even more “rustic” in a very good way.

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Polenta and Pepita Country Bread

One of my resolutions for 2012 is to keep trying with the very-wet category of bread dough. I’ve been open about my inability to bake ciabatta with a fabulous, holey structure. And, it’s not just ciabatta that flummoxes me. The basic country bread from Tartine Bread is also made with a very wet dough, and I’ve yet to create anything with big holes from that recipe either. The baking technique suggested in that book is the covered cast iron pot method. A proofed loaf goes into a hot cast iron pot, the pot is covered with a hot lid, and the moisture from the dough steams inside the pot as the bread begins to bake. I’ve had mixed results with that method in the past. On one occasion, the dough was just too wet, and the resulting baked loaf was a little soggy on the bottom. I made some changes to the dough, tried again, and this time, the cast iron pot baking method worked fine. To hedge my bets since this recipe makes two loaves, I actually baked one loaf in the cast iron pot and one directly on a baking stone. The loaf from the cast iron pot was the better of the two since the pot prevented the loaf from spreading. However, I still didn’t find those lovely, big holes in the crumb. Hence, I vowed my resolution to keep trying. In Tartine Bread, after introducing the basic country bread, there are a few variations including this polenta and pepita option. Soaked, coarse-grained polenta, toasted pepitas, and chopped fresh rosemary are added to the basic dough. It’s a chewy, hearty bread with a crunchy, dark crust.

I mentioned that I made a couple of changes this time. First, one of the suggestions for beginning the basic country loaf is to make a leaven using only a tablespoon of mature starter to prevent the resulting dough from having a too-sour flavor. My mature starter isn’t very sour in flavor, so I ignored that and just fed my starter as usual to use as the leaven for the dough. Next, the dough is suggested to be mixed by hand, but I used a stand mixer with a dough hook because it’s easier. The leaven was combined with water, white flour, and whole wheat flour and left for the autolyse. After about 20 minutes, another 50 grams of water was to have been added. Since my dough seemed extra wet last time, I skipped that additional 50 grams of water. Also after the autolyse, salt was added. Then, the dough was to have been placed in a bowl for the bulk fermentation with turns every half hour. The soaked polenta, toasted pepitas, chopped rosemary, and some corn oil were to have been added after the second turn. I followed those instructions when I made the flax and sunflower seed whole wheat bread, and it was difficult to get the seeds mixed into the dough at that point. So this time, I added the polenta, etc. in the mixing bowl along with the salt right after the autolyse. Then, I transferred the dough to a bowl to ferment for about four hours. It was turned in the bowl every 30 minutes. After four hours, the dough was transferred to a work surface and divided into two pieces. Each piece was shaped into a round, but the wet dough spreads easily so the rounds should be well-spaced apart. The rounds were left to rest for 30 minutes. Final loaf shapes were then formed, and towel-lined baskets were sprinkled with a mixture of rice flour and wheat flour before the loaves were placed in them. I opted for a delayed final rising of the dough by covering the proofing baskets and leaving them in the refrigerator overnight. The next day, I baked one loaf in a heated cast iron pan. After twenty minutes of baking, the lid was removed. I baked the other loaf on parchment, which made the wet dough easier to transfer from the peel, directly on a baking stone. The loaf on the stone spread more and browned more, and the cast iron pot method worked well.

What I’ve learned is that maybe sometimes a wet dough is just too wet. Skipping the additional water seemed to be a good thing with this version. I still haven’t learned how to get those lovely holes throughout a loaf, but hopefully if practice doesn’t make perfect it will eventually make better. Meanwhile, I had two big, round loaves of rustic, homemade bread full of crunchy pumpkin seeds and corn and rosemary flavors to enjoy.

I’m submitting this to Yeastspotting where you’ll find some seriously well-made bread.

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Grilled Peach Sundaes with Balsamic Fudge

Despite the fact that everything is supposed to be bigger in Texas, Texas-grown peaches are kind of small. I would argue, however, that their flavor is very big. Not many other fruits compare to a perfectly ripe peach. I mentioned the other day that I’d been reading Farmers' Market Desserts, and most of the recipes in that book include suggestions for alternate fruits. There’s a dessert called grilled fig sundaes with balsamic fudge, and I took note of the suggestion to use peaches or plums instead when in season as I had just received some peaches from my CSA. Whichever type of fruit is used, each piece is cut in half and skewered onto a rosemary sprig and grilled. The fruit skewers only remain on the grill long enough to soften and brown in spots and take on some smokiness. And, the fruit is only one part of this dessert. There’s also ice cream which is a natural with warm fruit, and then there’s the sauce. This is no old-fashioned, ice cream parlor kind of sauce. It’s a tangy, sweet reduction of red wine, balsamic vinegar, and sugar, and it makes this a sundae with grown-up flavor.

I’m sure both figs and plums would work very well for grilling. The peaches I used were nicely ripe which means they were a little tender and had to be pierced and skewered carefully. The pieces of fruit didn’t stay in place very well on the rosemary sprigs. They tended to flip around the stem and would have been difficult to turn on the grill. To fix that issue, I also pushed a wooden skewer through the fruit behind each rosemary sprig. With two skewers in place, the fruit stayed put and was easy to turn. To start, you should soak your skewers in water so they won’t burn on the grill even though any rosemary leaves left on the ends will catch the flame regardless. Meanwhile, you can begin the sauce. Good balsamic vinegar, red wine, and sugar, and the amount of sugar depends on whether you’re using a dry wine or a sweet, dessert wine, were stirred together in a saucepan. Over a bare simmer, that mixture was left to reduce by half which took about 15 minutes. It thickened as it cooled. Then, the fruit was brushed with olive oil, seasoned, and grilled for a few minutes per side, and the timing will depend on how hot your grill is. The goal is to just allow the fruit to soften and begin to brown. I served the grilled fruit and sauce with vanilla gelato, and I always follow the recipe from Demolition Desserts. It includes only two eggs and is made with more milk than cream making it slightly lighter than other vanilla ice cream recipes I sometimes use.

Savory flavors from the grill smoke and rosemary challenged the sweetness of the peaches and gelato in a delicious way. Likewise, the sauce was a mix of sweet and tart, rather than just sweet, which nudged the taste of the gelato in the direction of cheesecake. Plain, ripe, summer peaches are a pleasure, but if you’d like to dress up a few of them for dessert, I highly recommend this sundae.

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Rosemary-Olive Oil Bread

From the looks of things around here, it doesn't seem like I've been baking much bread. The last time I mentioned baking a loaf of bread was on January 12. The truth is that I have been baking bread. I just haven't been thrilled with what I've baked. You see, ciabatta has become my nemesis. I set out to bake loaves of chewy, airy, holey ciabatta, and my results have been less than perfect. Some loaves have a few holes but not enough, and other loaves have a crumb that looks the same as my sourdough baguette. I've tried different recipes and techniques and eventually got to the point of dreading the moment of cutting into a baked and cooled loaf. Now, I have a freezer stocked with loaves of bread disappointments. I may have to admit defeat eventually, but I'm sure I'll try again as soon as I clear out some freezer space. For now though, I needed to move on, change things up, and bake a different kind of bread. I went back to the Breads from the La Brea Bakery book and chose the rosemary-olive oil bread recipe. In the headnote, this bread is described as having a "multifaceted flavor in which the rosemary is a strong but not overpowering element," and the olive oil coats "the gluten strands and make[s] a softer dough than usual." It was to have a uniform crumb and is basically a white dough flavored with herbs. This was perfect. A holey crumb was not the goal here, and that's the change in bread baking I needed.

As usual, the two-day dough process turned into three days for me because I always need to bring my sourdough starter to room temperature and feed it the day before mixing the dough. Then, on day two, the dough was mixed by combining water, white starter, bread flour, and wheat germ in a mixer with a dough hook. It was left for the autolyse, and there's a fantastic description of exactly what that 20 minute resting period is all about at A Bread a Day. After the autolyse, salt was added to the dough, and then chopped, fresh rosemary and olive oil were mixed in as well. It didn't seem like the olive oil was getting well-mixed into the dough in the mixer, so I transferred it to a board and kneaded by hand until the oil was incorporated. The dough was placed in an oiled bowl, covered, and left to ferment for about three and a half hours. It was then placed on a floured board, cut into two pieces and allowed to rest for a bit. After the rest, each piece was shaped into a boule, both were placed in proofing baskets, the baskets were covered, and the dough was left to rise at room temperature for an hour and a half. At that point, the baskets were covered with plastic and refrigerated for 12 hours. The next day, the baskets were removed from the refrigerator so the dough could warm up for a couple of hours before baking. I baked the two loaves at the same time on a baking stone, and the oven was spritzed with water from a spray bottle during the first five minutes of baking. After a total baking time of about 40 minutes, the loaves were browned and crisp on the surface.

As promised, the flavor from the rosemary was evident but not too strong. The tender texture of the crumb and the crispness of the crust were due to the olive oil. This made me excited about bread again. Not only did I finally have a couple of loaves that weren't failures, they were also very flavorful. This is a bread I'll look forward to baking and cutting into again, and then I'll think about going another round with ciabatta.

I’m submitting this to Yeastspotting where you’ll find some seriously well-made bread.

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